Patrycja Tempska on the DV NY Alto 6

“Dear Jody,

Thank you again. I ordered DV NY Alto 6 for a trial period from Michal’s store and it just arrived today. It’s such a wonderful mouthpiece with beautiful sound. Surprisingly, the intonation on my old alto conn is even a bit better than vintage otto link florida — and I thought nothing would be better than that.

I’m certainly not going to send it back. 🙂 Now I’m curious about the custom dark but I will hopefully try it on another occasion.”

Greetings!
Patrycja

Jeff Kashiwa on the HR* CUSTOM DARK Alto and Tenor

“The JodyJazz HR* CUSTOM DARK mouthpieces for tenor and alto have the sound I’ve been wanting for years.
In the past I have played the Jody Jazz DV 7* tenor and DV 7 alto metal mouthpieces. They are great pieces, but I have been wanting the ability to go even darker, richer and warmer with my tone particularly in the studio and on straight ahead jazz gigs.

The HR* CUSTOM DARK mouthpieces have a perfect balance of responsiveness and even resistance through the entire range of the horn through the altissimo. Most importantly they produce a warm yet detailed sound that is very inviting.
Simply put, I love playing them!”

Mike Burton on the HR* CUSTOM DARK Alto

“I’ve been searching for an Alto mouthpiece to roll off some of the high end on my sound. The HR* Custom Dark is that mouthpiece. It gives me the perfect amount of resistance to focus my sound and it takes care of those unwanted high frequencies.”

David Beecroft on the HR* CUSTOM DARK Tenor

“This is a very expressive mouthpiece. It has a lovely combination of tone colors and a dry centered feel. Played quietly it sings and is warm and fuzzy. When you put more air through it, it becomes muscular and dignified. If sound were chocolate then this mouthpiece is 100% cocoa.”

Terry Sanger on the DV Tenor 7

“What an amazing mouthpiece the DV7 is. The ease of play is remarkable compared to the Guardala Super King. It has opened up the whole lower register to me. It is so easy to play that I am having problems adjusting to not blowing so hard…loosening up the embouchure and just letting the mouthpiece sing. Truly incredible and I am in love. Needless to say, I will be keeping this along with the power ring (love that whole thing…I could go on and on…). I will send back the Super Jet this week. Please just charge the card on file for the difference. Thank you so much. I have wanted to play one of your mouthpieces for years but have yet to find a great match…until now. This is the PERFECT mouthpiece. Thank you so much.”

Most sincerely,

Terry Sanger

David Krall on the DV Bass 6

“I purchased a Levantine bass ( made by Jin Bao- a copy of Selmers super action 80 series II bass) from amazon for a song. It was their last bass sax in stick and I think they wanted rid of it. I came via UPS undamaged and with the keys corked . I play tested it with the Selmer s90 210 mouthpiece I use Selmer super action 80 series I baritone. Bass sax pads popped and it was a actually set up nice. While the bass sang in upper register the low notes were hard to voice. I’m friends with JodyJazz Endorser Tim Price. He encouraged me to try JodyJazz. I’m glad I tried the JodyJazz DV Bass 6 mouthpiece . Low notes were easier to voice. Intimation was great. It played slightly flat on the selmer S90 mouthpiece. Beautiful sound with plenty of rich overtones. Very responsive mouthpiece. I have another baritone a low Bb Rampone and Cazzani R1 jazz. Big bore and long neck. The Rampone plays best on large chamber mouthpieces . I tried the JodyJazz DV Bass 6 on it. It’s the best the baritone has ever sounded. Playing Gerry mulligan music with the Rampone baritone and the DV Bass 6 was incredible . Very full beautiful sound. So I got my money’s worth and then some. I can use the mouthpiece on 2 instruments, 3 if I use it on the Selmer baritone. And yes, I agree with Jody harder reeds can be used. I used a Rico royal 3 1/2 and the mouthpiece responded effortlessly. Thanks for a great product Jody!”

Stuart Carlin on the HR* Alto 7M

“All I can say is the HR* 7m I recently purchased is the best playing mouthpiece I own. I have several very good mouthpieces and they all play reasonably well, but nothing I have ever played blows as easy with as gorgeous a tone as my new HR*. I also bought the power ring ligature. It is a fantastic combination. Frankly, I would love to have a DV, but I am retired and I watch my budget. I also have every intention of buying an HR* 5* for my tenor along with the power ring ligature.

I had written that I have a lung condition (COPD) and the way this mouthpiece blows I don’t feel any restriction in my lungs. I had been playing on an Otto Link super Tone Master 5, a Vandoren AL4 Optimum, and a Meyer medium chamber with a Rovner ligature. After about 30 minutes I had to stop playing as I would run out of air and become dizzy. I have yet to have to stop with my HR*. I just keep playing and playing.

All I have to say is a big thank you for coming up with such a fantastic mouthpiece.”

Stuart Carlin – Douglasville, Ga.

Harlan Ives on the DV Bass 7

“I’ve been playing my new DV Bass 7 on bari sax for about 2 weeks now and just wanted you to know that I love it!! I have been very fond of the DV NY Baritone 7, but you are absolutely right! The bass mpc is really big on the bottom (my favorite range on bari), but it’s also crystal clear and warm on top and altissimo is fantastic! Thank you for steering me in the right direction on this DV Bass mouthpiece!! Harlan”

Stephan Lange on the HR* CUSTOM DARK Tenor

“After playing the custom dark for I while I have to say that it’s the best mouthpiece I’ve ever played. What a pity that I didn’t get it 25 years earlier. 😉 You have done a great job!”

Chuck Currie

“Jody Espina has knocked it out of the park again with the new HR* CUSTOM DARK Tenor mouthpiece. After establishing a stellar classical saxophone mouthpiece division using his proprietary CHR Chedeville rubber, he has now used the rubber for a jazz tenor saxophone mouthpiece for the first time. When played softly, it reminds me strongly of the sound of Stan Getz. John Coltrane said “Let’s face it–we’d all sound like that if we could,” and who are we to argue with Trane? When you go for it in a big band or commercial setting, it will stand up to the brass and amplified instruments as well as any mouthpiece out there. I don’t know of any other mouthpiece that can inhabit both those worlds so well. The Chedeville classical mouthpieces Jody designed have made a clean sweep on my Soprano, Alto, Tenor and Baritone, and I told him the HR* CUSTOM DARKS will do the same for my jazz setups. Bravo, Jody, and keep ’em coming!”

“The JodyJazz HR* Soprano 5* mouthpiece allows for the rich warm tonal center that pleases me on all single reed mouthpieces, and just adds that slight edge that allows us to cut through the brass when playing with large ensembles. In my opinion the Soprano should never be strident and should have a contained ringing tone (like ALL musical instruments, including the human voice.) The JodyJazz HR* allows for that with great intonation, and can also provide incredible projection. The key to projection is tone, and it is also the key to “in-tone-ation!” All of Jody’s mouthpieces provide a great big tone, and the HR* line can also provide gentleness and beauty.”

“The JodyJazz POWER RING is a work of genius. The heavy mass of the ligature lends incredibly rich resonance to the tone, while the limited contact points allow for great life in the sound and terrific ease of articulation. I own over a hundred excellent ligatures, and the POWER RING blows them all away. These are not just for jazz… they are also beautiful classical ligatures with the most resonant core sound you’ve ever heard for soloists, large ensemble, and chamber players.”