Big Robust Sound

JodyJazz DV CHI Tenor

Palladium-plated Metal Tenor Saxophone Mouthpiece

U.S. Patent No. 7,470,844

$675.00

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What is the DV CHI Tenor Saxophone Mouthpiece?

The DV Chicago model Palladium-plated metal tenor saxophone mouthpiece is the culmination of a quest by Jody Espina to make the most efficient saxophone mouthpiece that delivers the biggest, fullest sound.

The DV CHI produces a darker, less bright tone than the contemporary sound of the JodyJazz DV, but a considerably brighter more modern tone than the JodyJazz DV NY. The beautifully shaped baffle/chamber design of the DV CHI produces a tone that is reminiscent of Dexter Gordon but is quite at home in a contemporary situation.

Simply put, the DV CHI combines the best properties of the highly successful DV and DV NY series while adding several new design modifications which enhance the players ability to manipulate the tone. The scalloped chamber also allows the player to push more air through the mouthpiece without experiencing any harshness.

Big Robust Sound

Here, nature, science and imagination combine to create a revolutionary new saxophone mouthpiece. Jody Espina has designed the patented JodyJazz CHI, using proportions and principles found in nature. For a powerful, husky, effortless playing experience, we invite you to try the DV CHI.

JodyJazz DV CHI Tenor Sax Mouthpiece Price: $675

DV CHI is a Palladium-plated metal tenor saxophone mouthpiece. The mouthpiece comes with a Silver finish H-Ligature, Cap and Deluxe Mouthpiece Pouch and Metal Canister. Free domestic USPS Priority Mail shipping and handling included. (See Overseas Shipping below for prices)

$675.00

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JodyJazz DV CHI Tenor Sax Mouthpiece Available Tip Openings

  • 7 = .101
  • 7* = .108
  • 8* = .116
  • 9* = .125

Do you need a facing comparison chart?

CLICK HERE to compare JodyJazz mouthpieces with other brands.

As Seen on Full Page Advertisements

JodyJazz DV CHI Tenor Saxophone Mouthpiece Demonstrated by Jody Espina

David Beecroft Plays “Eronel” featuring the DV CHI & Borgoni

Must hear audio clip on the DV CHI by David Beecroft

JODYJAZZ ARTIST TESTIMONIALS

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MAGAZINE REVIEWS

Ed Calle – DV CHI Tenor Part I

Ed Calle – DV CHI Tenor Part II

Ed Calle – DV CHI Tenor Part III

DV CHI Difference

  1. Phi Proportions – Or the Golden Section Proportioning. The proportions that are found in the Stradivarius Violin, the Nautilus shell, the dolphin, human beings, the Ancient Pyramids and much more, are used for the first time on a saxophone mouthpiece. These proportions result in a chamber that increases harmonics making the sound bigger and richer. For more information about Phi visit at http://www.goldennumber.net
  1. Secondary Window – The moving sound wave inside of the mouthpiece is now able to strike the vibrating reed above the bore of the mouthpiece instead of the mouthpiece material that is usually there. The effect is similar to a moving ball striking a moving bat. Home Run!

  1. New Facing Technology and Curve – We have invested in new CNC technology and have come up with a proprietary way of putting on a new facing curve, which is perfect every time.

What Does The DV CHI Do?

  • Bigger Fatter Tone
  • Effortless Playing
  • More Harmonics
  • Cleaner Articulation
  • Power and Projection
  • Unbelievable Altissimo
  • Improved Intonation

How Does The DV CHI Do It?

  • Secondary window
  • Golden section proportioning
  • Proprietary CNC facing technology
  • Perfect radius facing curve
  • Perfect reed/Tip match
  • Hand finished baffle, tip rail and table
  • Play tested by Jody Espina

Special Notes on The DV CHI Tenor Saxophone Mouthpiece

Due to the free blowing nature of the DV CHI Tenor, be prepared to use a harder reed than you normally do. This may or may not be the case for you. The great benefit of this is that a harder reed lasts longer and a harder reed helps the altissimo range. For this same reason, you may want to try a slightly more open tip than normal. For example, Otto Link # 7 players, will usually play a DV CHI 7*.

Almost all metal mouthpieces in the past and at the present time are made out of brass which can contain up to 3% lead. The lead in the brass is one of the components that give this particular brass it ’s hardness or rather it’s softness which makes it have a particularly pleasing sound to musicians. Proposition 65 from the state of California requires manufactures to label any products that have compounds in them that have been found to cause Cancer or Reproductive Harm. Lead is one of these Compounds. JodyJazz mouthpieces are electroplated with a layer of copper, then a layer of Nickel, Silver or Rhodium, and then a layer of Gold or Silver. This electroplating ensures that the raw brass is never in contact with the player.

This is Jody Espina and yes myself and my employees have been using JodyJazz Gold or Silver Plated brass mouthpieces for many years. My first JodyJazz brass mouthpiece was made in 2001 and I have continuously been playing JodyJazz brass mouthpieces since. I played my first metal mouthpiece in 1979 on tenor sax and have always used a brass mouthpiece on tenor sax ever since then.

Yes. Ben Webster, Coleman Hawkins Stan Getz, Sonny Rollins, Dexter Gordon, John Coltrane, Michael Brecker, Tom Scott Andy Snitzer are just a few of the 1000’s and 1000’s of players who have played brass mouthpieces.

Palladium is one of the earth’s most durable elements. It is a member of a group of precious hard metals that also includes Platinum but is actually rarer than Platinum and considerably more expensive. Palladium is intrinsically harder than standard Sterling Silver, is highly resistant to corrosion, and will not tarnish in air. Because of these properties, Palladium is increasingly used as an alternative to Silver-plating and today is widely found in everything from high-end automobiles to expensive jewelry, and now saxophone mouthpieces.

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